Morning: he sighs.
She changes the washing machine
to normal cycle.
A different number
every time —
brushing her hair thoughtfully.
Pregnancy test in the wastebasket —
tea bag dries
by the egg smear.
The newspaper predicts
the winners — the losers
get no consideration.
The future has been foretold.
He has difficulty
unfurling the umbrella.
Salad for lunch again.
She slides her wedding ring
up and down her finger.
Nothing is settled,
including the dust
on the light bulbs.
A misbegotten conversation.
She drops the cell phone
down the stairs.
Where are the plastic bags,
where the sea salt, where
the golden marigold seeds?
Buying bread
that tastes of yeast —
the chill of the supermarket.
Bruise-colored tulips
in cellophane. They ride
next to white tofu.
Clouds echoing
the asphalt.
The discharge of a burden.
Cars do violence to puddles.
In the rearview mirror,
a gray hair.
There were two
and then there was one. There was one
and then there were two.
Report: he needs a coat
warmer than the one
with the many pockets.
Lightning in the kitchen.
They are both
indifferent to the pasta.
Red sauce on white flesh.
There is nothing better
to devour at such moments.
A discussion of the show
about the weak-willed doctor.
The gutters overflow.
They join together
to dislodge the leaves.
A sudden flood.
Hand to hand, combat
abandoned. Rain slipping gently
down the windows.
Morning: she sighs.
He peers into the toaster.
There is nothing to see there.
*
As with my bird story sequence, my goal here was for each individual stanza to read like an individual haiku while still contributing meaningfully to the whole composition.
I wanted to write a poem that was almost a parody of the kind of novel that presents in mind-numbing detail the trivial and discouraging lives of its protagonists without yielding any significant insight or closure for their predicaments. I thought such a venture would be much more successful as a poem than as a novel — you would be able to appreciate the tiny accumulation of details that make up such lives, without being bored by the massive accumulation of overdetailed descriptions or depressed by their uninspiring inner lives. I developed a lot of sympathy for these characters as I developed the poem.
Red Dragonfly 