river current dividing my time between now and forever
I do lots of three-liners, I frequently do one-liners. But for some reason today, when I sat down to write haiku, feeling tired and hot and grumpy, the ku all split into two lines and refused to consider any other configuration. Feel free to psychoanalyze this turn of events.
yellow warbler —
clothes line full of black clothes
the funeral —
his dog walking proudly down the street
in the kitchen discussing their options
new potatoes —
a boy and girl trade shy compliments
river currents —
swimming with her glasses on
So the last few days got kind of heavy and I was starting to feel like I never wanted to see another haiku as long as I lived. Instant panic: I can’t be burning out already! Something must be done!
Well…what is the best thing to do when you start taking yourself way, way too seriously? Start acting incredibly silly, of course. Stand on your head. Do a funny dance. Write bad haiku.
Okay, maybe not bad, exactly. But…weird. Different. Not…haiku-like.
Oh! That reminds me of this thing I bookmarked the other day and vowed to come back to when I got a minute!
” ‘Haiku-like haiku aren’t particularly bad. But haiku that don’t seem haiku-like at all—nowadays that’s the kind I’m after.’
—Santoka (trans. Burton Watson)
“…The relatively narrow (and necessarily hybrid) basis of the tradition of haiku in English, with its emphasis on the here and now, can only take us so far; thus many published haiku seem ‘thin.’ Perhaps what’s needed is less striving to perfect the ‘same,’ more writing against the grain.”
–Philip Rowland, The Problem
Yeah, Philip (and Santoka), I know what you mean. Read and write enough haiku, and eventually even the good ones start seeming like parodies of themselves. All that nature! All those tiny exquisite details! All those lower-case letters! All that lack of punctuation! All those moments of enlightenment!
What if for one day I tossed out all those precious little haiku rules (as represented in italics below), and tried to write haiku that seemed un-haiku-like, and yet somehow preserved the spirit of haiku (whatever the hell that is)?
I think it would make me feel better. Though it might make you feel worse.
“Use concrete images.” And, “Don’t make direct references to emotion.” (You know, “Show, don’t tell.”) Also, “Slang is so unattractive.”
“Three lines (or even one) are nicer than two. Or four. Five is right out.” Also, “Metaphors are kind of tacky.” Also, “Cliches? Don’t even get me started.”
This cup of tea
Where I left the
balloon I bought
for your birthday:
On cloud nine
against the current:
like I’m standing still
“Don’t shout.” Also, “Don’t swear.”
WHAT THE HELL
IS A FROG
DOING IN THAT TREE?
“If seventeenth-century technology was good enough for Basho, it’s good enough for us.” Also, “Write in the present tense. Not the past. Or the future.”
My email vanished
before I hit “Send.”
Will Facebook reject me too?
“Please don’t be vulgar.” Also, metaphors, cliches, yadda yadda yadda.
No pot to piss in
when I need to piss.
Which I do.
in your armpit:
your long walk.
“Try to make at least a little bit of sense.” Also, “Minimize your syllables.”
Sticky tape, sticky buns
Fine reticulations of burnt toast
Mud sponging over black shoes
where it (oh who am I kidding anyway)
stopped (my stomach is growling, when did I have lunch)
Haiku (there is as much in the future as there is in the past)
“Rhyme should be used judiciously. If at all.”’
In bed tonight
I know you’re right.
Just turn out the light.
I opened it up.
There you were,
turned into packing peanuts.