(harvest moon)

.Harvest moon

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harvest moon –
wishing for it to fall
butter side up

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Haiku Bandit Society, September Moon Viewing Party

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(grandmother moon)

Moon over trees

altered photograph by Rick Daddario, 19 Planets

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grandmother moon
I can’t help wishing for
a gold tooth like hers
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(Haiku Bandit Society, June 2011 Moon Viewing Party)

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full moon
one plate missing
from the setting
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(Haiku Bandit Society, July 2011 Moon Viewing Party)

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Hey…do you like writing moon haiku? Like reading moon haiku? (If you say no to either of those questions, you have to turn in your official Haiku Poet Badge, so think carefully before you answer.)

If so, you should really consider joining the party over at Haiku Bandit Society every month. It starts a few days before the full moon. Anyone can contribute a poem about the moon for those few days. Willie posts them all on the blog, and they are a blast to read. Then his dog Dottie picks out the three she likes the best and gives them the Dottie Dot Awards.

This is another one of my favorite things that people do with their blogs. I wish even more people would participate because I love moon haiku so much and there really are an endless variety of twists on them. I bet you’ve got something great up your sleeve. Think about it.

things to wake up for

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full moon
her water breaks
silently

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April 2011 Moon Viewing Party, Haiku Bandit Society

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(I woke up for what I thought was no reason last night and then realized that I must have been wakened by the full moon, which seemed to be taking up most of my window. It reminded me of one night in September 1994 when I also woke for what seemed like no reason, except that when I stood up my water broke and fourteen hours later my son was born. So that was a good reason to wake up.)

Across the Haikuverse, No. 17: Extraterrestrial Edition

On my pass through the Haikuverse the last couple of weeks I picked up a hitchhiker from another galaxy who was curious to come visit Earth and observe our peculiar poetry-writing ways. I invited him home to hang around and look over my shoulder for a few days while I swore at my computer in an effort to make better haiku appear in my word processor, which was fine for a while, if a little distracting, but then he got pushy and wanted to write the introduction and conclusion to this column.

I don’t like to argue with sentient beings who can shoot actual daggers from their eyes, so I let him. Here’s what he has to say.

People of Earth:

Fear not, I come in peace. And admiration of your “poetry.” Whatever that is.

I’m feeling kind of quiet and subdued today. (Maybe because I’m not quite certain yet of your customs on this planet.)

So without further ado (I don’t know what that means but I like the sound of it), the haiku.

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I’d like to start off by offering hearty congratulations to Vincent Hoarau and his wife on the recent birth of their daughter Pia.

At Vincent’s blog, La Calebasse, he’s collected together many of the haiku he wrote during Pia’s gestation and after her birth, including this one:

lune croissante –
les yeux mi-clos, elle attend
la montée de lait

— Vincent Hoarau

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While we’re doing French, why don’t we move on to this piece from Temps libres (this one gets a translation, though):

passage d’oiseaux —
en route vers le nord
de ma fenêtre

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passing birds —
heading to the north
of my window

— Serge Tome

(If you don’t know Serge’s website, it’s full of both his own haiku and the haiku of others that he’s translated from English to French. Both categories of poetry are wonderful, and he’s been doing this for years now so there’s a lot to browse. You’d better get on over there quickly.)

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Okay, now we can get back to haiku in English. First, a couple of poets who have been following my NaHaiWriMo prompts and posting the results on their blog. Both of them are amazing poets and I look forward every day to seeing what they’ve done with my prompt.

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From Stella Pierides:

chrysalis –
when did I learn about
Venus?

— Stella Pierides

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From Crows and Daisies:

i go to the river
to write about a river…
its silent flow

— Polona Oblak

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And some miscellaneous haiku that have nothing to do with me…

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From DailyHaiku:

dark night
imaginary bears
showing the way

— Jim Kacian

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From Haiku Bandit Society:

even in soft spring light
I can’t read the words
thinking of father

— William Sorlien

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phosphorescence
tide fish streak the moon

— Barbara A. Taylor

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From Morden Haiku:

april sun
a strawberry
without a taste

— Matt Morden

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From Beachcombing for the Landlocked:

first light confirms the flightless bird i am

— Mark Holloway

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I love this experimental series from scented dust. This is actually just part of the series, so why don’t you head on over there and read the whole thing?

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in the crows eye nothing and what I want
:
finished looking into crows eye
:
what is in there? crows eye hunger black
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yawn the empty emptiness in crows eye
:
what darkness to love crows eye
:
a way to fall horisontally crows eye limbo
:
biting whatever cracked teeth and crows eye
:
sorry, bro, really don’t care crows eye
— Johannes S.H. Bjerg

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From Mann Library’s Daily Haiku:

passing clouds
he slips glass bangles
over my wrist

— Kala Ramesh

Kala’s poetry is featured every day this month at Mann Library’s Daily Haiku. Her poetry is wonderful, and so is her author profile at the site, featuring a fascinating discussion of Kala’s theory of haiku poetics related to her training and experience as a performer of Indian classical music. Here’s an excerpt:

“In the silences between notes, between words, between lines, the emotions that arise is rasa —the aesthetic essence— which gives poetry, music or dance, a much greater sense of depth and resonance. Something that cannot be described by words because it has taken us to a sublime plane where sounds have dropped off.

The most important aspect of rasa, the emotional quotient, is that it lingers on, long after the stimulus has been removed. We often ruminate over a haiku we’ve read for days and savour the joy of its memory. Thus, although the stimulus is transient, the rasa induced is not.

What RASA does to Indian aesthetics is exactly what MA does to renku between the verses and the juxtaposition between two images in haiku. This is my honest effort in trying to understand the Japanese concept of MA in relation to my own evaluation of Indian aesthetics.

It is these silences and pauses in haiku, and what this does in the reader’s mind, that fascinate me.”

— Kala Ramesh

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Haiga Corner

I found a ton of haiga I loved the last couple of weeks. I’m putting them in their own special section because I really, really want you to notice they’re haiga and go look at the pretty pictures. Please? Come on, these people spent all this time drawing or painting or taking photos or playing with their computer graphics programs or whatever…the least you can do is a little clicking.

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From Lunch Break (HAIGA):

clear skies
blue bird chasing another
bluebird

— Gillena Cox

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From 19 Planets (HAIGA):

concrete history
the imprint of a leaf
in the sidewalk

— Rick Daddario

(This haiku was originally left as a comment here and I liked it even then, but now that it is a haiga it is even better.)

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From Yay words! (HAIGA):

phone ringing
in the neighbor’s house
first blossoms

— Aubrie Cox

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From see haiku here (HAIGA):

how quickly it comes back…dust

— Stanford Forrester

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From Haiga (HAIGA):

full moon illuminating
the steeple —
steeple pointing to the moon

— Eric L. Houck

(I’ve just discovered Eric’s site — he’s stupendous. Well worth taking a look around.)

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And to go along with these, here’s a general haiga link I discovered recently…

World Haiku Association Haiga Contest

Somehow, even though I’d heard of this, I’d managed not to actually see it before, but then Rick Daddario of 19 Planets left me a link in my comments and I blessed him fervently as I browsed around in here. There’s a monthly contest and the results are awesome.

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Found in Translation

Steve Mitchell over at Heed Not Steve did the coolest thing this week — he used Google Translate to transform one of his haiku into another, related haiku by sending it through a series of translations of different languages.

He got from

without translation
a clatter of birdsong
sipping my coffee

to

Untranslated
Bird sounds
And my coffee

— Steve Mitchell

….but if you want to know how, exactly, you will have to go over there and take a look.

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Haiku Foundation Digital Library

There’s so much amazing stuff over at The Haiku Foundation’s website, I feel like every time I start digging around over there I find something new. But this really takes the cake. Here’s the description of this project: “The Haiku Foundation Digital Library aims to make all books of English-language haiku available to all readers online.”

So what if there’s only fifteen or twenty books there now? They’re all completely amazing and you can download the PDFs and spend a fantastic Saturday afternoon reading, say, H.F. “Tom” Noyes on his Favorite Haiku (highly, highly recommended) or Kenneth Yasuda’s gloriously old-fashioned, kitschy 1947 translations of classical Japanese haiku in The Pepper-Pod, featuring titles and rhyme. Not to be missed.

warm rain before dawn;
my milk flows into her
unseen

— Ruth Yarrow, quoted in Favorite Haiku by H.F. Noyes

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The Galaxy

Wild the rolling sea!
Over which to Sado Isle
Lies the Galaxy.

— Basho, translated by Kenneth Yasuda in The Pepper-Pod

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Dead Tree News

I’m very short on time this week so the extent of my dead tree musings will be to share with you this haiku and related quote from R.H. Blyth’s Haiku, vol. 2, “Spring” (so, so loving Blyth, best million dollars I ever spent), which I found a week or so ago and can’t get out of my head.

The fence
Shall be assigned
To the uguisu.
— Issa, translated by R.H. Blyth

“Bestowing what we do not possess, commanding where we have no power, this is of the essence of poetry and of Zen.”

— R.H. Blyth, Haiku, vol. 2, p. 181

Yeah. I know. It turned my brain inside out too.

Have a great week.

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Back to our guest:

Thanks for your kind attention, People Who Orbit Sol. I will now quietly return to my place of habitation and share with my people what I have learned about you through your — what do you call it again? — “poetry.”

Fear not. It’s all good.

March 19: Return of the Moon

over the gable
of my ugly house
— the moon

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full-length mirror
not full enough
for the moon

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brighter than ever
the moon tries
to write haiku

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a handful of stones, 3/9/2011

shiki kukai,  february 2011

moon viewing party, Haiku Bandit Society, 3/19/2011

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Across the Haikuverse, No. 14: Abridged Edition

Everyone have a nice Valentine’s Day? Looking forward to warmer weather? (Or cooler, if you live in the Southern Hemisphere?) Great. Glad to hear it.

Okay, got the chitchat out of the way. No time. Must be fast. Short. Abbreviated. Abridged. Yes, that’s it. This is the Reader’s Digest Condensed Books of haiku columns. Don’t let that put you off, though. It’s just my boring words that are abridged, not the haiku.

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Haiku (Etc.) of the Week

(Poems I found and liked the last couple of weeks.)

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I am giving pride of place this week to Amy Claire Rose Smith, the 13-year-old winner of the youth haiku contest at The Secret Lives of Poets. This haiku is not just “good for a thirteen-year-old.” I would be proud of having written it. Amy is the co-proprietor of The Spider Tribe Blog and Skimming the Water along with her mother, Claire Everett, also a fine haiku and tanka poet (I mean, she’s okay for a grownup, you know?) who has been featured in this space previously.

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listening
to the brook’s riddles
a moorhen and I
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— Amy Claire Rose Smith

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From Haiku Bandit Society:

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pearl diver
a full breath,
a full moon

— el coyote

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From Crows & Daisies:

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sleet shower
plum blossoms
on flickr

— Polona Oblak

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From Via Negativa:

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moon in eclipse
I remember every place
I’ve seen that ember

— Dave Bonta

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(The first line links to a spectacular photo by Dave, take a look.)

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From Morden Haiku:

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stretching out
the peloton
a hint of spring

— Matt Morden

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From scented dust:

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still winter –
a heavy book about
nutritional supplements

— Johannes S.H. Bjerg

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(Johannes has also been writing a lengthy series of haiku about penguins that are delighting my son and me. A few of them are at his blog, linked above, and he’s also been tweeting a lot of them (@jshb32). Both in English and in Danish, because I asked nicely. 🙂 Thanks, Johannes.)

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the auld fushwife
sits steekin –
her siller needle dertin
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the old fishwife
sits sewing –
her silver needle darting
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— John McDonald

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From Yay words! :

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late winter cold
I suckle
a honey drop

— Aubrie Cox

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From The Haiku Diary:

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Ripeness Is All

In the produce section:
A very pregnant woman,
smelling a grapefruit.

— Elissa

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From a handful of stones:

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Joyfulness Keeps Pushing Through

I’m reading
T. S. Eliot

Goethe
and the Old Testament

But I can’t help it

— Carl-Henrik Björck

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From haiku-usa:

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returning spring
in the dawn light she looks like
my first love

— Bill Kenney

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(Bill’s comment: “Line 1 may be a bit optimistic, but it is warming up, and, in my personal saijiki, spring begins on Valentine’s Day, regardless of the weather.”)
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have you thought
of your effect on us?
full moon
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— Stella Pierides
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(Stella’s note about the genesis of this haiku: “I wrote this haiku trying to understand aspects of (by skirting close to) Issa’s poem, posted as an epigraph on the Red Dragonfly blog.” I found this interesting because I, too, have been thinking about my epigraph lately, after having kind of pushed it to the back of my mind for some time. And loving moon haiku as I do, I really liked Stella’s take on it.)
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a bit of parade
from the sparrow …
first flakes, last snow
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— Ricky Barnes
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まどろむの活用形に春の雪   小川楓子
madoromu no katsuyôkei ni haru no yuki
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conjugation
of ‘doze’
spring snow
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— Fuko Ogawa, translated by Fay Aoyagi
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how many haiku
must I write…
waiting for you
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— Miriam Sagan
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(The person Miriam was waiting for in this haiku was the great Natalie Goldberg — check out the link for a wonderful story by Natalie about an evening she and Miriam spent together.)
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my gate–
just six radishes
remain in supply
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four, five, nine years
always the first to bloom…
cherry tree
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— Issa, translated by David Lanoue
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(Does everyone know that you can get one of Issa’s haiku emailed to you daily if you ask nicely? These are a couple that landed in my inbox this week, and of course after confessing my love of number haiku I had to include them here.)
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“Class Warfare in Wisconsin: 10 Things You Should Know” (Tikkun Daily)

a long day…
field laborers
fasten stars
to the under belly of
a snail shaped moon
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— Robert D. Wilson
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(Normally I try to keep this blog a politics-free zone, but can I help it if Robert wrote a great tanka and Haiku News connected it to a headline about the protests in my state against the governor’s budget bill? I’m all for art for art’s sake, but if art happens to intersect with politics in an artistically pleasing way, I’m all for that too.)

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A Story, A Story

At jornales, Alegria Imperial recently recounted a wonderful story (originally written for the Vancouver Haiku Group) about meeting a Japanese woman who critiqued her haiku in a way that seems to me very reminiscent of the way that Momoko critiques Abigail Freedman’s haiku in The Haiku Apprentice, something I wrote about not so long ago. The point of both Momoko and Mutsumi, Alegria’s mentor, is that haiku must come from the heart, must not just be a linguistic or intellectual exercise but must express something fundamental about what the poet is feeling.
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I think you should really go over and read the whole story yourself, but I’ll quote a few choice passages to give you an idea of what it’s all about.
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The white gold moon: A Japanese haiku experience
Or how a hole in the sky turned into a pair of wings in my heart

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Mutsumi and I did meet over spare egg sandwiches and coconut muffins at the 411 Seniors Centre Cafeteria. … I laid the printed sheets out on the table, two pages of ten haiku. I had noticed her wince as she read them and then, she pushed the pages away.

… She pointed to one of them and asked me, or to my mind, accused me, “Where is your heart?”

The haiku she had her forefinger on is this:

hole in dark sky?
but
the white moon

… “When you wrote this how did you feel?”

“Well, in the dark night sky on a full moon, I looked up and there was the moon like a white hole in the sky.”

“So…”

“Seeing a hole although it was bright sort of scared me but it also delighted me because I realized it is but the moon.”

“And so…”

“That’s it.”

“That’s why, it can’t be a haiku. It cannot stop there. It has to stop right here,” she tapped her chest with her hand and to mine, finally a gesture which uplifted me, “in the heart, your heart.”

We plumbed the idea deeper. She focused on my delight to see the moon. What did I want to do about it? And how would I have wanted to reach the moon. I said the only I could would be “to fly”. She began to smile and latched on to the image, to the idea of flying. She asked how I would have wanted to fly. And I said with wings, of course.

“But you can’t have wings. Still you can fly with your thoughts, your thoughts of happiness,” she said. “Think of where these come from,” she urged me on.

“In my heart, of course!”

“There you are! There is your haiku!”

She took the piece of paper from my hand and began writing in Japanese, translating the characters into this:

gin-iro* tsuki no hikari*
kurai yoru watashi no kokoro
tsubasa

I asked what each word meant and the haiku flowed:

white gold moon
on a dark night in my heart
a pair of wings

— Alegria Imperial


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Dead Tree News: Journaled

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Frogpond, the venerable journal of the Haiku Society of America, edited by George Swede, came in the mail last week. First I clasped it to my heart and carried it around with me everywhere for a few days. Then I started making the difficult decisions about which tiny portion of the contents I could share with you guys. Here’s what I came up with:

First of all, I’ll mention right off the bat that there was an essay by Randy Brooks called “Where Do Haiku Come From?” that I am going to have to write a separate post about because I can’t do it justice here. So remind me about that if I haven’t come through in, say, a couple of months.

There were also a couple of interesting and related essays by Ruth Yarrow and David Grayson about bringing current events and economic realities into the writing of haiku. Ruth wrote about the recent/current financial crisis and David about homelessness. Both discussed the importance of not neglecting this aspect of our reality when we look for haiku material; David also discussed how to avoid the pitfalls of sentimentality and cliche when dealing with topics that start out with such strong emotional associations. I tend to think that the reality of the urban environment and the modern political and economic climate are seriously neglected in haiku (and I am as guilty as anyone else of neglecting them), so I was happy to see these essays here.

Second of all, here are the titles of some haibun you might want to take a look at if a copy of Frogpond falls into your path (which it will do if you join the Haiku Society of America, hint hint):

Little Changes, by Peter Newton; The First Cold Nights, by Theresa Williams; Not Amused, by Ray Rasmussen; Marry Me, by Genie Nakano; Gail, by Lynn Edge; This Strange Summer, by Aurora Antonovic; Home, by John Stevenson; Looking Back, by Roberta Beary; Koln, by David Grayson.

And lastly … the haiku. Those that particularly struck me for whatever reason:

sunset
warmth from within
the egg

— Johnette Downing

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high beams visit
a small bedroom
my thin cotton life

— Dan Schwerin

 

coffee house babble
among all the voices
my conscience

— Robert Moyer

 

pruning
the bonsai…
my knotty life

— Charlotte DiGregorio

 

if only she had been buried wild crimson cyclamen

— Clare McCotter

 

Christmas tree
wrong from every angle
trial separation

— Marsh Muirhead

 

morning obituaries …
there i am
between the lines

— Don Korobkin

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full moon —
all night the howling
of snowmobiles

— John Soules

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the cumulonimbus
full of faces
hiroshima day

— Sheila Windsor

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leaves changing…
the river
………….lets me be who I am

— Francine Banwarth

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Done! Okay, for me, that really wasn’t bad.

Just wanted to say that I will probably not have another Haikuverse update for at least 3 weeks, possibly 4, since in March I will be contending vigorously with midterms, family visits, a new job, and oh, yeah, this haijinx column gig. (Send me news!) I’ll miss droning endlessly on at you guys but at least this will give you a chance to catch up with all the old columns.