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On my way out to Haiku North America I made a slight detour in Ohio to find some poetry that was rumored to be in the woods. 

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It was dark when I got there so I had to find the poetry almost by feel. Then I went to bed and I got up in the morning and the poetry was still there, but brighter this time. I spent an hour walking in the woods and bumping into poetry. It frequently bumped back.

Great thanks to the Inn at Honey Run and especially to Julie Warther without whose substantial mental and physical labor none of these amazing rocks would stand where they are standing and bear the inscriptions that they do.

(There are a lot more rocks than this, by the way. You should have hired a better photographer.)

NaHaiWriMo: the end

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first date
nacho stains
on her blue dress

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(Feb. 14: nachos. Also: Valentine’s Day.)

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sun setting
one foot
on a rocky slope

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(Feb. 20: talus)

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shaking off
all the rain
that didn’t touch me

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(Feb. 21: umbrella)

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________________________________________________________________________________

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I knew you would all be curious about how I handled “nachos” and “talus.” There is no point in pretending that I have an easier time writing haiku (or senryu) about nachos than anyone else, or that I had the faintest idea what “talus” was before this prompt was set. Also, who else thinks that Michael Dylan Welch opened the dictionary at random to find that prompt? (Not that there’s anything wrong with that.)

It was an interesting month. (Okay, technically it’s not over yet. Can we just pretend it is? In a normal year it would be.) I never felt especially inspired. (Well, I came up with a couple of interesting things about apples, I think. That was then, this is now.) I didn’t like most of what I wrote at all. But there is value in writing things that you don’t like at all. Generally, you have to write a whole lot of things that you don’t like at all in order to write a few things that you like a lot. It’s hard to figure out what you like until you figure out what you don’t.

But I can’t say I’m sorry February is over. Forward, March!

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April 25: Black and White

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black light
poems appear
in the rocks

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white butterflies unbreathable atmosphere

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horsetail sky
another story about you
in the newspaper

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___________________________________________________________________________________

(NaHaiWriMo prompt: Black and white)
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Moving on: NaHaiWriMo prompt for April 26th:

Playgrounds and playground equipment


See this post for an explanation of what this is.

See the NaHaiWriMo website.

See the NaHaiWriMo Facebook page, and contribute haiku there if you want. (It doesn’t have to have anything to do with this prompt. It’s just a suggestion.)

NaHaiWriMo, Week 4: On Being Weird

22    editing an elephant gray seems too vague
23    encoding fairy tales </eastofthesunwestofthemoon>
24    ovulation trying to locate the scent of apple
25    menstruation sinking lower in the waves
26    political protest a deathwatch beetle in the drum circle
27    the mouse in the kitchen does he also hear the owl
28    particles streaming from the sun we wait on this rock to receive them

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Whew. I made it.

I don’t know why this felt so hard. I’ve been writing haiku every day for ten months now. And, you know, sharing them with the reading public. I think it was just that I was trying to do something really different from what I usually do — trying to be weird and experimental, just kind of throw stuff against the wall and see what stuck.

And even though I told myself that this would be freeing and relaxing, I was surprised to find that I actually found it very stressful to try to come up with something Original and Interesting every day that I wasn’t incredibly embarrassed to let you guys see. Well, a lot of it I actually was incredibly embarrassed to let you guys see. This week may have started out the weirdest of all and then by the fifth day I was getting freaked out enough that I actually followed a couple of Michael Dylan Welch’s (excellent) NaHaiWriMo daily writing prompts, which until then I’d pretty much ignored in the spirit of experimental individualism. I just couldn’t take the pressure of marching to such a different drummer any more.

I thought sometimes this month of the title of the physicist Richard Feynman’s autobiography: “Why Do You Care What Other People Think?” This is a question his wife challenged him with when he was very young. Mostly Feynman didn’t care a lot what other people thought, which is part of what made him so brilliant. (The other part was that he was, you know, brilliant.)

So why do I care? I mean … no one scolded me for being too experimental this month, at least not out loud; people said nice things about the haiku they liked and politely kept their mouths shut about the ones that they didn’t. No one is ever mean to me on this blog. My readership didn’t go down, people didn’t unsubscribe. I still felt stupid and incompetent a lot of the time. Apparently I am way more insecure than I thought I was.

This worries me a little, because it must mean that most of the time I am trying to write haiku that I think other people will approve of. Of course this isn’t entirely bad, the point of writing is supposed to be communication after all, so if no one understands or likes what you’re writing … well, you can either carry on in the same vein hoping that future generations will be more enlightened, or you can seriously consider the possibility that there’s something wrong with your writing. But if you’re spending so much time worrying about what other people think that you never actually figure out what you think yourself, that’s a problem too.

Also, I think I freaked out a little at how good everyone else’s NaHaiWriMo stuff seemed to me. A lot of people seemed to take this exercise really seriously and put their best foot forward and come up with superlative work that really blew me away … and then there’s me, sitting in the corner tossing my word spaghetti at the wall, with a slightly village-idiot expression on my face.

Anyway. (She said defensively.) Just so you know, I wrote a lot of other haiku this month that are a lot more, you know, normal. You’ll probably be seeing a fair number of them in the next couple of months. So don’t unsubscribe! The worst is over … and I will be discussing my inferiority complex with my imaginary therapist, so don’t worry about me.

August 10: 1-5: The Technique of Finding the Divine in the Common (Found Haiku: Psalms)

(See this post for an explanation of what’s going on here.)

Jane:


“This is a technique that seems to happen mostly without conscious control. A writer will make a perfectly ordinary and accurate statement about common things, but due to the combination of images and ideas and what happens betwen them, a truth will be revealed about the Divine. Since we all have various ideas about what the Divine is, two readers of the same haiku may not find the same truth or revelation in it. Here, again, the reader becomes a writer to find a greater truth behind the words.


smoke
incense unrolls
itself”


– Jane Reichhold, Writing and Enjoying Haiku

*

Me:

Jane played a terrible trick on me by adding a new technique in her book (Writing and Enjoying Haiku get it, read it). In addition to the 23 previously published in her online essay, she tacked on this one, which is a problem for me because in the strictest sense I don’t actually believe in any Divine.

I mean I believe that there are things in the universe that are a lot bigger and more important than piddly little human beings, but I don’t think they’re supernatural, or conscious, or in any way direct or guide any of the affairs of heaven or earth. I think that most of what there is to know about the universe we don’t, can’t, and will never know, and I am in awe of the unimaginable complexity of it all, but I don’t think that just because our tiny brains don’t understand it and can’t explain it we must invent some other entity that does understand it.

Anyway. Enough of my heathen metaphysics. I felt that if I wanted to complete this project, I was duty-bound to attempt to write some kind of haiku that referenced or implied the existence of some kind of divine entity. But I was utterly at a loss for how to do this. So I decided to cheat. (See, I told you I was a heathen.)

I turned to my trusty friend the Book of Psalms (King James Version), one of the world’s great literary achievements, reasoning that somewhere in there must be something that resembled a haiku in some way … right?

You tell me.

*

moisture …
turned into the drought
of summer
(Ps. 32:4)

out of the miry clay …
my foot
upon a rock
(Ps. 40:2)

deep calleth
unto deep …
the noise of waterspouts
(Ps. 42:7)

the noise of the seas …
the tumult
of the people
(Ps. 65:7)

blow up
the trumpet …
the new moon
(Ps. 81:3)